What is Volver about?
Raimunda (Penélope Cruz) works and lives Madrid with her husband Paco and daughter Paula. Her sister Sole (Lola Dueñas) lives nearby and they both miss their mother Irene (Carmen Maura), who died several years ago in a house fire along with their father. A former neighbor from their hometown reports that she has seen the ghost of Irene and both daughters do not believe her. After a murder and a family tragedy, Irene’s spirit materializes around her daughters to help comfort them.Volver / Film synopsis
Is Volver a good movie?
A gripping melodrama inspired by the trash TV that is a soundtrack to its characters’ lives. With its overwhelming richness, its colour and warmth, Pedro Almodóvar’s new movie is set to capture your heart. Volver seemed guilelessly wonderful when I first saw it earlier this year in Cannes.
What happens at the end of Volver?
Tia Paula dies the same night Paula killed Paco, and because of that Raimunda sends her sister Sole (Lola Dueñas) to the funeral alone. When Sole returns home, she finds Irene in the trunk of her car, and is convinced that she is a ghost. It turns out that Irene never died.
What is the message in Volver?
It is a film about the absurdity of the everyday world. Volver means to return. Characters face the agonies they have long confounded. They change in the process, accept it and then return to the places where they belong.
What is the message of the movie Volver?
Beautifully shot, structured, and acted, Almodóvar’s film sees the past repeat itself, the dead come back to life, and the painfully concealed return to the fore. Volver is about how things that seem dead and gone are sometimes inextricably part of our lives.
What are the themes in Volver?
In “Volver,” Pedro Almodóvar creates an impossibly beautiful film. He fuses themes of child abuse, deep superstition and female resilience, depicting something simultaneously powerful and surprisingly comedic.
How does Almodovar present death in Volver?
Death in the village involves ghosts and volver—return. Death in the city is more prosaic, a frozen food locker rather than a tombstone that must be tended. As always the opening and closing shots set the themes. In the opening shot, the camera tracks in a reverse direction from the usual.
Why is Volver called Volver?
Volver, in Spanish, is the verb “to come back”, but the title has several meanings. This is a Pedro Almodovar film, after all. It’s partly about the district in La Mancha in central Spain where he was born and spent the first eight years of his life.
What is the most important theme in Volver?
What does red represent in Volver?
The visual language is characterized by red, Almodovar’s signature. In Volver, red represents death, but it also represents women, passion and life (ironically). The aesthetics also make reference to several masterpieces by iconic directors.
Why is death so important in Volver?
Young Paula, her mother, and her grandmother all participate in murder. And the deaths strengthen the bonds between the women who, after the men are gone and the secrets revealed, are now densely related as mother, daughter, sister, niece.
Why does Almodovar use red in Volver?
What is the theme of Volver by Pedro Almodóvar?
Pedro Almodóvar’s film Volver (2006) is a blend of several themes including maternity, the countryside as a setting, as well as a female universe as the family.
Is Pedro Almodovar’s Volver worth watching?
Pedro Almodovar’s Volver W ith its overwhelming richness, its colour and warmth, Pedro Almodóvar’s new movie is set to capture your heart. Volver seemed guilelessly wonderful when I first saw it earlier this year in Cannes. Now it looks even better.
When did Almodovar make Volver?
Set in the La Mancha region, Almodovar’s place of birth, the filmmaker cited his upbringing as a major influence on many aspects of the plot and the characters. Volver premiered at the 2006 Cannes Film Festival, where it competed for the Palme d’Or.
What makes Almodóvar’s Almodovar a good film?
Almodóvar has something of Sirk’s passionate empathy with women, mixed with a gay sensibility – though the film is unlike Sirk’s in that men are entirely marginal. In its vividness and intense, almost neurotic sensitivity to colour, particularly the colour red, it also looks like a Hitchcock thriller.